Benjamin Seroussi est un réalisateur engagé dans la production de films de mode et de clips, dont le studio de création est basé à Paris.
En 2000, il parfait sa formation de réalisateur au sein du programme d'étude filmique de UCLA et se voit confié le management d'un studio photo à Los Angeles où il officie en tant qu'assistant photographe.
De retour à Paris , il se lance dans la réalisation de clips musicaux, il porte un intérêt certain à développer une écriture différente pour raconter l'imagerie qui nimbe l'univers de la mode et du Luxe, il entreprend la réalisation de ces premières images en imaginant et créant des dispositifs personnels de prise de vue. Il s'attache à créer des concepts visuels originaux afin de conférer à chaque film une identité propre au service de grandes enseignes de la mode telles que Louis Vuitton, Pierre Hardy, Martin Margiela, Cacharel, L'Oréal, Galeries Lafayette et des magazines comme l'Officiel de la mode et Intersection magazine.
Benjamin continue à développer l'expression du film de mode en insufflant vie et mouvement aux collections au sein de son Studio de création "Bronca" situé dans le haut Marais à Paris.

Benjamin Seroussi is a Paris-based filmmaker specialized in fashion films and music videos.
He studied at the UCLA film school in the late 1990s and has been making music videos since 2001; artists for whom has has done videos include Autokratz,Yuksek, Das Pop, Oh La La, and the Swedish artist Mai.
In the mid-2000s, Seroussi became interested in exploring the possibilities of fashion film, and his clients in this domain have included Showstudio magazine, Belvedere Vodka, Swarovski, LVMH group, Cacharel, L'Oreal, Galeries Lafayette, Martin Margiela, Lacoste, l'Officiel magazine, Vogue Italia, and Intersection magazine.
Since 2008, he has worked out of his shooting and creative studio in central Paris.
Seroussi's work is about exploring new formats and processes.
He often creates his own filming tools and has a passion for both current and obsolete technologies.
One of the things that makes his work unique is that he uses creative manual techniques during shooting rather than adding effects in post-production; this gives his work a timeless analog feel that distinguishes it from the current media climate.
A firm believer in the magic of collaboration, he established solid relationships with leading designers, art directors, cinematographers, choreographers, and musicians.
With complex choreography, innovative editing, and manual filter techniques, Seroussi's recent music video for Keren Ann is the perfect example of his ability to harness the creativity of his collaborators while bringing his own creative vision to the forefront.